booklat:

Man, I wish I wrote this Monday: The Sounds of Sunday by Kerima Polotan

One day, she sat longer than she intended. When she stood up, it was evening. A desire to weep had possessed her. He had probably not waited, and it was an eternity to the next Saturday. She began to hurry. At the second corner, she ran, forgetting everything else. When she reached the lighted door of the restaurant, she saw him at the table, a sad, hurt, puzzled look on his face. She stepped in quickly and said, “You are here.”
“Would you have wanted me to go?”
“No,” she said. It was a bold thing to say; it was a perilous thing to say. She felt her defenses go: such a brief word yet it stripped her completely.
He looked at her. “May I wait for you here on Saturday?”
She did not meet his gaze.
“Dear Emma,” he said suddenly.
“Don’t.”
“Em—,” he had never called her that before. “I would like to wait for you,” he  continued softly, “here, and in all the places you could possibly think of, for all the hours life will allow me.”

For every good story, there is that one terribly good moment that feels like a punch in the gut. For me, for this story, this is that moment. I’ll always look back to this story whenever I hear the phrase quiet heartbreak. 
Submitted by pleasepanda

About time we re-read this gem, hmm.

booklat:

Man, I wish I wrote this Monday: The Sounds of Sunday by Kerima Polotan

One day, she sat longer than she intended. When she stood up, it was evening. A desire to weep had possessed her. He had probably not waited, and it was an eternity to the next Saturday. She began to hurry. At the second corner, she ran, forgetting everything else. When she reached the lighted door of the restaurant, she saw him at the table, a sad, hurt, puzzled look on his face. She stepped in quickly and said, “You are here.”

“Would you have wanted me to go?”

“No,” she said. It was a bold thing to say; it was a perilous thing to say. She felt her defenses go: such a brief word yet it stripped her completely.

He looked at her. “May I wait for you here on Saturday?”

She did not meet his gaze.

“Dear Emma,” he said suddenly.

“Don’t.”

“Em—,” he had never called her that before. “I would like to wait for you,” he  continued softly, “here, and in all the places you could possibly think of, for all the hours life will allow me.”

For every good story, there is that one terribly good moment that feels like a punch in the gut. For me, for this story, this is that moment. I’ll always look back to this story whenever I hear the phrase quiet heartbreak.

Submitted by pleasepanda

About time we re-read this gem, hmm.

booklat:

“Life scars the writer but he is not without weapons of vengeance. The art of fiction is a prism that he can use to refract human experience. That one can write about it brings him, if not deeper understanding, some kind of peace. In other words, the writer is first a human being, before he is anything else, prone, like much of mankind, to fits of joy and pain. What happens to those around him — and yes, to him — is legitimate material, but only if he is able to illumine it with a special insight.”

Kerima Polotan (16 Dec 1925 – 19 Aug 2011), wrote this in her foreword to Stories (UP Press, 1998). She was reacting to the criticism of her use of personal experiences in writing fiction.